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Legio II Parthica Roman Vexillum

Legio II Parthica Roman Vexillum

Regular price €120,00 EUR
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SKU:L2K7J4H9G6F3D

Legio II Parthica was established by Septimius Severus in 197 AD for the campaign against the Parthian Empire, along with Legions I and III Parthica, from which it derived its  cognomen "Parthica."

After the capture and sacking of Ctesiphon, the legion was brought back to Italy and stationed in  Castra Albana near Albano Laziale, becoming the first permanent legion in Italy after about two centuries and serving as a mobile strategic reserve directly under the emperor. Its main emblems were the bull and the centaur, a symbol that also earned it the epithet "Albana legion."

In 218, the II Parthica was decisive in the power struggle between Macrinus and Elagabalus: initially sent against the rebel, it then switched sides to the latter, contributing to the victory at Antioch and receiving the honorary epithets  pia, fidelis, felix, aeterna as a reward. Subsequently, it participated in Alexander Severus' campaigns against the Sasanids and operations on the Germanic front, continuing to be employed as an imperial intervention force until at least the early 5th century.

HISTORICAL-PHILOLOGICAL VEXILLUM

  • Formato 40x30 cm
    Size
    40 x 30 cm, balanced and versatile proportions
  • Ricostruzione storica
    Philological reconstruction
    The choice of animal in the vexillum is based on historical and numismatic sources
  • Fedeltà cromatica
    Chromatic fidelity
    Red inspired by the only original Roman vexillum preserved in the Pushkin Museum in Moscow



Plexiglass Product Specifications

Product: Historical-philological vexillum
Material: glossy print on acrylic
Size: 40 x 30 cm
Technique: high-definition reproduction with brilliant rendering
Reconstruction: based on historical, epigraphic, and numismatic sources
Installation: supplied with a hook for easy wall hanging

Framed Product Specifications

Product: Historical-philological vexillum
Material: print on pictorial canvas
Size: 40 x 30 cm
Technique: inkjet print on pictorial canvas
Frame: hand-carved walnut wood
Reconstruction: based on historical, epigraphic, and numismatic sources

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